民间美术中的"隐喻"思维对现代设计的启示

中国民间美术是中国传统造型艺术的重要组成部分,看上去很"土"的民间美术与现代设计同宗同源、一脉相承.民间美术独特的审美思维是其蕴涵在深层的精髓,着重阐述其"隐喻"思维的特点以及对现代设计的启示.     

产品形态美的现代化设计

产品的形态美,改善了人们的精神生活,为人们的生活增添了乐趣和情趣。随着社会、科技的发展,具有鲜明的时代特点和创新性的产品越来越受到人们的喜爱。现代的产品形态应该涉及科学技术、人的因素、市场等诸多方面。     

浅析《花间集序》的词学观

《花间集序》是我国词学史上的第一篇词学理论,该序对词学批评理论的建树做出了很大的贡献,对词的审美特征、价值功能以及关系当时文风的雅俗问题都进行了有益的探索,给后世学者提供了参考的依据。     

对德化传统陶瓷花卉捏塑艺术的发展探讨

优质的德化陶瓷材质与娴熟的塑造技艺,造就陶瓷花卉捏塑艺术发展的新纪元;工艺品市场的巨大需求,促进陶瓷花卉捏塑艺术的繁荣发展;作为一种独立的艺术形式,德化陶瓷捏塑在发展中应提炼其艺术审美价值,从而保持陶瓷花卉捏塑艺术的创新和发展。     

Perception of plant species richness by people with different nationalities—an experimental study

This study investigates with the help of a manipulative experiment how people with different nationalities perceive meadow-like arrays of different species richness (1, 8, 16, 32, 64 species). Participants (n = 187) were all residents of the canton of Zurich and originated from 43 different countries. Overall valuation of the meadow-like arrays increased with species richness. However, while participants from high-income countries (measured by GDP per capita) clearly liked species-rich meadows most and species-poor ones least, participants from low-income countries did not have such clear preferences. Preferences were not related to the length of time a participant had already spent in Switzerland (on average seven years), but to perceived familiarity with a meadow-like array. Sex and education did not influence valuations. Environmental expertise fostered participants’ dislike of species-poor arrays, as did age.     

论包装设计的审美心理

随着市场经济的发展,人们不仅仅满足于物质的生活,开始提升自我的精神生活享受,越来越关注于包装的审美感.通过讨论审美心理学原理、美学原理,结合包装设计的应用分析,研究审美心理在商品包装中的活动过程,从而解析包装设计的审美特点,为促进包装设计契合审美心理的研究而持续发展提供了理论依据.     

一首悠然深远的田园诗——记苏州仁恒独墅湖别墅

文章以张旭的诗句引出苏州仁恒独墅湖别墅之设计理念,通过设计理念的阐释,探索艺术与生活的相关意境。设计师利用自然而然的空间层次和景致,将传统院落与现代空间自由结合,在强调现代美学的审美观念同时,将东方文化演绎到极至。     

Beyond the romantic and naı¨ve: the search for a complex ecological aesthetic design language for landscape architecture in New Zealand

Landscape design is an expression and repository of cultural values and beliefs, and in Aotearoa, New Zealand, the designed landscape faces particular challenges. Globalization is seen as a potential threat to landscape identity, which is even more significant for a country which has built its economy and self-image from its unique natural landscape. The potential for resistance is limited by the small size and youth of the profession of landscape architecture in New Zealand. While traditions of farming and gardening extend back to early European settlement in the mid nineteenth century, and beyond to indigenous Maori practices of land modification, professional landscape design is a relatively recent development (the first tertiary course in landscape architecture began at Lincoln College (now Lincoln University) in 1969). Landscape design in New Zealand draws its vocabulary from the power of the country's natural heritage landscapes, convinced that a naturalistic aesthetic exclusively represents environmental health. Some of the core values of New Zealand society are, however, overlooked by designers. The need to develop a critically informed design language which includes the farming landscape along with the natural one is argued. The invention of such a language, referred to as a complex ecological aesthetic, is seen as a potential source of design expression that is invigorated by the tension between mechanistic and natural landscape aesthetics. It therefore has the potential to promote environmental health, while being regionally grounded, and can help face the challenges that globilization poses to the landscape.     

当代西方建筑符号文脉原初性研究

通过对文脉主义建筑的概念辨析,以自然组织符号、都市组织符号以及群体组织符号的体系划分,强调对建筑创作中有关自然环境、城市文化,以及建筑系统指涉信息的＂原初性＂识别,并以此分析当代西方建筑符号所具备的新兴审美特征。     

城市道路景观设计中行为心理学的应用

从人的行为心理出发,研究了不同人群在道路绿地景观参与过程中的需求和禁忌,并以此为依据,分析了道路景观在不同行为主体影响下的城市道路空间、景观形式、节奏、色彩、交通设施等元素的设计方法,为城市道路景观设计提供参考.